MIT Technology Review is a media company that explains the commercial, political, and social impact of the newest technologies. They’re seeking pitches for their upcoming print issue: The Impossible Issue.  

“The idea is to focus on some of the biggest goals and promises of our age and look at the hurdles that still remain. Think fusion. Room-temperature superconductors. Living to 150. Completely eliminating car accidents.”

“We’re looking for big swings: narrative features, essential profiles, and sharp reported essays to go in the feature well of the magazine. The initial deadline for pitches is Friday May 22.”

Rates are $1-$2 per word. Details here and here.

Women With Disabilities ACT is a systemic advocacy and peer support organization in ACT region, Australia. They’re accepting submissions for the second issue of their yearly magazine, Chronic Mischief, as part of the ‘Our Autonomy’ Project. They’re inviting both new and experienced writers and artists to contribute. They’re looking for “unpublished work by women, non-binary, and gender diverse people with disabilities, with a strong focus on entries from people living in the Canberra region and surrounds.” They will pay an honorarium of $100 to contributors. For more information, refer to their post and submission guidelines.

Tolka is “a biannual literary journal of non-fiction: publishing essays, reportage, travel writing, auto-fiction, individual stories and the writing that flows in between.” They’re open for submissions. They publish work by both Irish and international writers. Their guideline word count for work is 1,000 to 3,000 words. They offer a flat fee of ‎‎€600. To learn more, refer to their post and submission page.

Exhume is “a new online publication championing scholarly-informed, accessible long-form criticism and analysis of Australian literature written by new and emerging researchers.” They publish contributions of 3,000 to 4,000 words by current HDR students and ECRs from across Australia and are particularly interested in highlighting regional perspectives. They’re currently accepting pitches for Issue 2. The theme is resonance. They encourage “contributions to consider how Australian texts or authors resonate on a personal, public, and/or academic level.” Pay is $300 per piece. If interested, send your pitches to exhume.lit@gmail.com. To learn more, refer to their call for submissions.

Good Tape is “a bicoastal magazine and creative studio elevating cultural and critical coverage of the podcast industry.” They’re accepting pitches for written and visual content for Issue 04: The Chemistry Issue:

“For issue 04, we’re acknowledging something we’ve felt pulsating through every story we’ve covered since we started: chemistry. Behind every artistic endeavor, creators interact, combine, and reorganize to spark something new. Podcasting is no different. From the scientific to the sultry, we’re interested in the bonds that hold projects together, the experiments that push them forward, and the circumstances that can just as easily pull them apart. What makes a collaboration click or combust? Does chemistry have to be organic, or can it be crafted? Where does it arise in unexpected ways?”

For written content, rates are $175-$1,050 for digital and $250-$1,500 for print. To learn more, refer to their call for pitches.

TravelPulse Canada features “travel industry news and videos for Canadian travel agents and travelers.” They welcome pitches from experienced freelance writers. They publish “timely travel news, destination features, trend analysis, and journalism relevant to travel professionals.” Their features and destination stories are 800 to 1,000 words. Pay is $250 CDN. If interested, direct your pitches to mail@travelpulse.ca. To learn more, refer to this page.

Art Deco Society UK is “a not-for-profit organisation bringing together lovers of Art Deco design from across the British Isles.” They’re seeking informative articles (approximately 1,000 words) covering any aspect of inter-war design from the UK, such as:

- Films

- Graphics

- Fine Art

- Fashion

- Transport

- Music

- Architecture

- Ceramics

- Fashion

Pay is £100 per article. If interested, email hello@artdecosociety.uk. To learn more, refer to this page.

Bisnow is a B2B platform for the commercial real estate industry. They’re seeking a Denver Freelance Reporter. The selected candidate will write 3-5 articles per week and produce daily morning briefs. The candidate should have great writing skills and excellent news judgment. This position must sit in Denver remotely. Pay is $3,000 per month. To learn more, refer to this page.

Observer is a website about business, arts, and entertainment. They’re looking for a Freelance Tech & Finance Reporter to “cover the intersection of technology, finance, and power—tracking the companies, investors, and opinion leaders shaping the future of Wall Street and Silicon Valley.” The reporter should have at least 3 years of experience. This role is remote. Their standard rate is $200-$400 per article. If interested, email your resume to business@observer.com. To learn more, refer to this page.

FOX Weather is looking for a Freelance Assignment Editor. The selected applicant should have “prior experience pitching, researching, writing, and building editorial elements in a collaborative team setting.” The role is based in New York, NY. The pay rate is $35 to $40 per hour. To learn more, refer to this page.

MissionWired is a full-service agency. They’re looking for a Freelance Digital Editor with excellent editing and research skills to join their quality assurance freelance team. The editor should have at least one year of experience. This role is remote and pays $25 to $35 per hour. To learn more, refer to this job description.

Matador Network is the largest independent travel publisher in the world. They’re looking for freelance travel stories. You can pitch across any of their verticals, but right now, they're keen on:

- “Pitches around sports fandom/travel around sports and sporting events (including F1, golf, tennis, and the upcoming FIFA World Cup 2026)”

- “Articles that tie your personal experience with a deeper topic”

- “Reported dives into travel topics that can't be desk reported”

- “Stories around surprising travel trends and ideas”

Rates for stories range from $200 to $300. Articles are typically around 1,100 words. To learn more, refer to this page.

Business Insider covers business, personal finance, tech, lifestyle, politics, and more. Their editor is seeking pitches for first-person essays. Topics they’re actively pursuing include:

“- Expensive family trips you took and liked or didn’t like (will need to provide receipts for fact-checking)

- Budget family vacations you would/wouldn’t go on again (will need to provide receipts for fact-checking)

- Moving/relocation regrets, surprises, benefits

- Encouraging/discouraging extracurricular activities — sports, dance, etc. — based on cost (will need to provide receipts for fact-checking)

- Unique approaches to childcare (after-school or early education)

- Parenting regrets

- Pulling money out of your retirement account for travel, daily living expenses, childcare, etc. (will need to provide proof for fact-checking)

- Unique graduation gifts for your kids (travel, a session with a financial advisor, etc.)

- Paying for your older child’s housing (after college)”

Rates start at around $225 for essays of around 500-600 words. If interested, send your pitches to jgoldblatt@insider.com. To learn more, refer to their editor’s post. To contact them, refer to this page.

PolitiFact, a project of the Poynter Institute, is seeking talented Freelance or Contract Fact-Checking Reporters to help them navigate the noise of the 2026 midterm elections. Hours are a minimum of 20 per week (Monday to Friday), with the possibility of increasing to up to 40 hours as the election cycle intensifies. The role is fully remote and pays $30 to $35 per hour. To learn more, click here.

Africa Science News Service is a website that covers science and technology with an African eye. Their editor, Henry Neondo, just got in touch to let us know they're seeking freelancers. They pay a flat rate of  €700 for 1200 word features. They also pay €50 for photo, or  €500 for a combo of five photos. According to an old payment report, they paid $1.00 per word. To contact them, refer to this page.

Channel Kindness is a digital platform created by the Born This Way Foundation. They’re looking for stories in honor of Transgender Day of Visibility:

“In honor of Transgender Day of Visibility (March 31), Channel Kindness is inviting our community, including trans and gender expansive young people to submit powerful stories for a special series, Trans Visibility Stories: ‘Visible and Proud.’ Ten (10) storytellers will be selected to share their essays that integrate their lived experience with relevant research on the experiences of trans and gender expansive young people. Your story may be used to help inform future research, resources, and initiatives designed to support trans and gender expansive young people.”

Each selected author will be paid a $100 stipend. For details, refer to their post and call for stories.

The Margin is “an independent media platform that centers the people and places most affected by environmental injustice in the United States.” They’re seeking “reporting on communities on the frontlines of environmental and climate injustice.” They’re looking for “pitches on data centers, energy infrastructure, food systems, wildfire, and stories from underreported regions (the Midwest, the Deep South, Puerto Rico, Hawai'i).” They especially encourage Black, Indigenous, people of color, and LGBTQIA+ journalists to pitch. They publish long form investigative stories, generally up to 5,000 words, and pay an average of about $1 per word. To learn more, refer to their post and this page.

The Good Information Foundation is “a 501(c)(3) non-profit organization founded in 2021 to tackle the growing information crisis in America.” Their editorial director is looking for freelance writers:

“I'm looking to add several skilled writers to Good Info News Wire's talent roster for localized lifestyle articles.

- Must be located in one of these states:

Alaska, Arizona, Georgia, Kentucky, Minnesota, Nebraska, New Mexico, New York, or Utah

- What we're looking for:

• Experience writing lifestyle/culture content

• Strong sense of local voice and audience

• Reliable, self-directed work style”

Pay is $350 per piece. If interested, email claire@goodinfous.org. For more details, refer to their editorial director’s post.

An editor at Slate has issued a pitch call; “I'm looking for ambitious features and personal essays for Slate's Business & Tech section. I’m interested in stories about the surprising ways tech and business are reshaping our lives, work, and culture. Strong characters, deep reporting, and big ideas always welcome. …What are the strange, surprising, or overlooked ways tech and business are reshaping everyday life? Who are the people living inside those changes? How has YOUR life been changed through the lens of tech and business? No story too weird.” And, “Typical features run 1,200–2,000 words. Rates are generally $500–$800 depending on scope (sometimes more, sometimes less). Can offer more for ambitious stories and reporting. No deadline—pitch whenever.” The pitch call / thread, with examples of stories the editor has assigned, is here.

This is a Substack-based project. They have a detailed mission statement, including, “Everything is Fine* recognizes that the United States is on a rocket-powered path towards full-throated fascism**, blasting past constitutional/institutional safeguards at warp speed and dragging its people and the rest of the planet, kicking and shrieking, deep into the cold, dark space of techno-oligarchy, christo-fascism and environmental devastation.
While the future feels full of darkness and foreboding, we at EIF* are forced to admit: it’s also a fascinating time to be alive. Sure, it’s a morbid fascination, but fascinating nonetheless. Here you will find opinions, reported stories, essays, profiles and other desperate, shrill yawps into the void, chronicling some of the weirder moments in the United States (and elsewhere) in the second Trump term.” They also have a detailed pitch guide, including, “Everything is Fine* is a resistance substack focused on anti-fascism in particular, and progressive issues in general. … We’re looking for reported stories, opinions, profiles/interviews, and personal essays, of somewhere between 1200 and 2000 words. We pay $200 for an essay/opinion, $250 if there is original reporting, and $300 if there are original photos in addition to the reporting.” Please read the work they have published to get a sense of what they like. Details here.

The National Forest Foundation is an organization that restores and enhances National Forests and Grasslands. They’re seeking story pitches for Winter/Spring 2026 issue of Light & Seed magazine, which will focus on how tech and innovation intersects with National Forests and Grasslands in the U.S. Specifically, they’re seeking pitches for “The Response,” a department that “uses the pillars of solutions journalism to investigate how people are responding to an issue of national importance.” Rate is $1,000 for 1,000 words. If interested, email your pitches to erinvriley@gmail.com. To learn more, refer to their call for pitches.

Film Daze is “an independent publication and media outlet that provides a platform for the unheard, and underrepresented voices of the film community.” They’re accepting pitches for their Issue 01. There is no theme. Payment is $120 for Issue 01, $150 for Issues 02-03, and $200 for Issue 04 and beyond, based on the paid subscriber base at the time. The submission deadline for the first issue is June 1st. Interested writers should send their pitches to editorial@filmdaze.net. To learn more, refer to their submissions page.